Faceless Portraits: Father-Son Bonding

The initial head I created in Blender, was a generic head – little more than a balloon shape. So I made a representation of a specific individual: however the self-portrait was all about the objects placed on the “head”. With this head, I wanted a classic 3D bust as the starting point.

Having made a digital, yet traditional, representation of a head I looked to camouflage it with a set of photographic images from `Faceless Portraits’ a series of photographs I produced in November last year and shared on Twitter.

Inside looking out
I collect, make, do and see.
My face is not me.

The images wrapped around the face present aspects of personality that are missing from a traditional portrait, but they also camouflage and influence perception. This process of influence based around the most easily perceived aspect is usually with the face as the principal influence.

The wrapped image reveals something of the person without the traditional access of a sculpted head. The resulting image disrupts rather than excludes the face.

 

In following the traditional form of display, the head is placed upon a pedestal. It becomes a gallery item but it has no physical reality. The 3D pedestal becomes an object on which to place the head and also a surface on which to place text; just as would be seen in a traditional gallery.

 

I am playing with the metaphor of the form of gallery display. I am questioning issues to do with reality and its representational narrative. What is the nature of narrative in the digital world?

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